Marco Secchi Photographer

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  • DSCF6714 copy.jpg
  • DSCF6689 copy.jpg
  • Tito and Dog
    DSCF6698 copy.jpg
  • My Friend Tito
    DSCF6695 copy.jpg
  • DSCF6691 copy.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-01.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-04.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-12.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-15.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-20.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-16.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-05.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-08.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-09.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-23.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-11.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-13.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-14.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-17.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-25.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-19.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-02.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-07.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-10.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-18.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-21.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-24.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-27.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-06.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-26.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-03.jpg
  • ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 207 1939846. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-Monza-100801-22.jpg
  • VENICE, ITALY - MAY 27:  A member of the public submit his suggestions during a protest organised by supporters of the Spanish movement "Democracia Real Ya"  on May 27, 2011 in Venice, Italy. The protest takes place on the day when Spanish police fired rubber bullets to disperse anti-crisis protesters in a Barcelona square as cleaning crews cleared their tent camp.
    Indignados05.jpg
  • VENICE, ITALY - MAY 27: A protester from the group "Democracia Real Ya" writes a sign in support of popular democracy, on May 27, 2011 in Venice, Italy. The protest takes place on the day when Spanish police fired rubber bullets to disperse anti-crisis protesters in a Barcelona square as cleaning crews cleared their tent camp.
    Indignados01.jpg
  • VENICE, ITALY - MAY 27:  A child places a red hand print during a protest organised by supporters of the Spanish movement "Democracia Real Ya"  on May 27, 2011 in Venice, Italy. The protest takes place on the day when Spanish police fired rubber bullets to disperse anti-crisis protesters in a Barcelona square as cleaning crews cleared their tent camp.
    Indignados11.jpg
  • VENICE, ITALY - MAY 27:  A woman writes her suggestions during a protest organised by supporters of the Spanish movement "Democracia Real Ya"  on May 27, 2011 in Venice, Italy. The protest takes place on the day when Spanish police fired rubber bullets to disperse anti-crisis protesters in a Barcelona square as cleaning crews cleared their tent camp.
    Indignados10.jpg
  • VENICE, ITALY - MAY 27:  Protesters from the group "Democracia Real Ya" hold a sign in support of the protests in Spain, on May 27, 2011 in Venice, Italy. The protest takes place on the day when Spanish police fired rubber bullets to disperse anti-crisis protesters in a Barcelona square as cleaning crews cleared their tent camp.
    Indignados09.jpg
  • VENICE, ITALY - MAY 27:  Protesters from the group "Democracia Real Ya" hold a sign in support of the protests in Spain, on May 27, 2011 in Venice, Italy. The protest takes place on the day when Spanish police fired rubber bullets to disperse anti-crisis protesters in a Barcelona square as cleaning crews cleared their tent camp..
    Indignados08.jpg
  • VENICE, ITALY - MAY 27:   A supporter of the Spanish movement  "Democracia Real Ya" keep in contact using his laptop with Spanish protesters using a social network on May 27, 2011 in Venice, Italy. The protest takes place on the day when Spanish police fired rubber bullets to disperse anti-crisis protesters in a Barcelona square as cleaning crews cleared their tent camp.
    Indignados06.jpg
  • VENICE, ITALY - MAY 27:  A man submits his suggestions during a protest organised by supporters of the Spanish movement "Democracia Real Ya"  on May 27, 2011 in Venice, Italy. The protest takes place on the day when Spanish police fired rubber bullets to disperse anti-crisis protesters in a Barcelona square as cleaning crews cleared their tent camp.
    Indignados04.jpg
  • VENICE, ITALY - MAY 27:   A supporter of the Spanish movement  "Democracia Real Ya" keep in contact using his laptop with Spanish protesters using a social network on May 27, 2011 in Venice, Italy. The protest takes place on the day when Spanish police fired rubber bullets to disperse anti-crisis protesters in a Barcelona square as cleaning crews cleared their tent camp.
    Indignados03.jpg
  • VENICE, ITALY - MAY 27:   A protester from the group "Democracia Real Ya" holds a sign in support of popular democracy, on May 27, 2011 in Venice, Italy. The protest takes place on the day when Spanish police fired rubber bullets to disperse anti-crisis protesters in a Barcelona square as cleaning crews cleared their tent camp.
    Indignados02.jpg
  • VENICE, ITALY - MAY 27:  Protesters from the group "Democracia Real Ya" hold a sign in support of the protests in Spain, on May 27, 2011 in Venice, Italy. The protest takes place on the day when Spanish police fired rubber bullets to disperse anti-crisis protesters in a Barcelona square as cleaning crews cleared their tent camp.
    Indignados07.jpg
  • LONDON, ENGLAND - OCTOBER 16:  A National Gallery employee seats next to  three paintings  of Crucifixion by (L-R) Francisco Paceco,  Juan de  Mesa and Francisco de Zurbaran at 'The Sacred Made Real Exhibition' at the National Gallery  on October 16, 2009 in London, England. The Exhibition running from October 21 to January 24, 2010 includes masterpieces by Velasquez and Francisco de Zurbaran which are displayed for the very first time alongside Spain's polyccrome painted sculptures  ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 771 7298571. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-National Portrait10.jpg
  • LONDON, ENGLAND - OCTOBER 16:  Archbishop of Westminster Vincent Nichols stands in front of  the statue Mary Magdalen Meditating on the Crucifixiion  by Pedero de Mena at 'The Sacred Made Real Exhibition' at the National Gallery  on October 16, 2009 in London, England. The Exhibition running from October 21 to January 24, 2010 includes masterpieces by Velasquez and Francisco de Zurbaran which are displayed for the very first time alongside Spain's polyccrome painted sculptures...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 771 7298571. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-National Portrait03.jpg
  • LONDON, ENGLAND - OCTOBER 16: A National Gallery employee stands in front of three paintings  of Crucifixion by (L-R) Francisco Paceco,  Juan de  Mesa and Francisco de Zurbaran at 'The Sacred Made Real Exhibition' at the National Gallery  on October 16, 2009 in London, England. The Exhibition running from October 21 to January 24, 2010 includes masterpieces by Velasquez and Francisco de Zurbaran which are displayed for the very first time alongside Spain's polyccrome painted sculptures...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 771 7298571. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-National Portrait01.jpg
  • LONDON, ENGLAND - OCTOBER 16:  Archbishop of Westminster Vincent Nichols stands in front of  the statue Dead Christ by Gregorio Fernadez at 'The Sacred Made Real Exhibition' at the National Gallery  on October 16, 2009 in London, England. The Exhibition running from October 21 to January 24, 2010 includes masterpieces by Velasquez and Francisco de Zurbaran which are displayed for the very first time outside of Spain ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 771 7298571. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-National Portrait06.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta019.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta015.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta011.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta010.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta008.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta004.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta002.jpg
  • VENICE, ITALY - DECEMBER 26:  A real Venetian couple with their one month old son perform a live nativity scene, and are being ferried in gondola from St Mark's to the Island of S Giorgio on December 26, 2011 in Venice, Italy.  The event is in its first year wants and to replicate an ancient tradition when the Doge of Venice used to go to the Island of S Giorgio to celebrate the relics of Santo Stefano on Boxing Day. HOW TO LICENCE THIS PICTURE: please contact us via e-mail at sales@xianpix.com or call our office London   +44 (0)207 1939846 for prices and terms of copyright. First Use Only ,Editorial Use Only, All repros payable, No Archiving.© MARCO SECCHI
    Nativity St Mark's Basin 002.jpg
  • VENICE -MESTRE  22nd December 2011 Organised by Caracol and Centro Sociale Rivolta and offered and prepared by Restaurant La Ragnatela a Christmas lunch for homeless people
    Christmas lunch homeless 013.jpg
  • VENICE -MESTRE  22nd December 2011 Organised by Caracol and Centro Sociale Rivolta and offered and prepared by Restaurant La Ragnatela a Christmas lunch for homeless people
    Christmas lunch homeless 012.jpg
  • VENICE -MESTRE  22nd December 2011 Organised by Caracol and Centro Sociale Rivolta and offered and prepared by Restaurant La Ragnatela a Christmas lunch for homeless people
    Christmas lunch homeless 011.jpg
  • VENICE -MESTRE  22nd December 2011 Organised by Caracol and Centro Sociale Rivolta and offered and prepared by Restaurant La Ragnatela a Christmas lunch for homeless people
    Christmas lunch homeless 008.jpg
  • VENICE -MESTRE  22nd December 2011 Organised by Caracol and Centro Sociale Rivolta and offered and prepared by Restaurant La Ragnatela a Christmas lunch for homeless people
    Christmas lunch homeless 005.jpg
  • VENICE, ITALY - AUGUST 27: A bed lies in one of the dormitories covered with overgrown ivy in the psychiatric ward of the abandoned Hospital of Poveglia on August 27, 2011 in Venice, Italy. The island of Poveglia, with its ruined hospital and plague burial grounds, is said to be the most haunted location in the world. Though it is a multi-million dollar piece of real estate it lies deserted and off limits to the public. Its dark, forbidding shores are only minutes away from the glamour of the Venice Film Festival on the Lido....To discuss licensing our 4000 word photo documentary of the island, email robin@robinsaikia.com. ..British author Robin Saikia visited the site with Italian photographer Marco Secchi. Marco captured the sinister atmosphere of the island. Robin describes the terrifying apparitions and the stories behind them.
    venice Lido 004.jpg
  • VENICE, ITALY - AUGUST 27: Lines of rusty dryers are seen in the laundry area of the abandoned Hospital of Poveglia on August 27, 2011 in Venice, Italy. The island of Poveglia, with its ruined hospital and plague burial grounds, is said to be the most haunted location in the world. Though it is a multi-million dollar piece of real estate it lies deserted and off limits to the public. Its dark, forbidding shores are only minutes away from the glamour of the Venice Film Festival on the Lido. ...To discuss licensing our 4000 word photo documentary of the island, email robin@robinsaikia.com. ..British author Robin Saikia visited the site with Italian photographer Marco Secchi. Marco captured the sinister atmosphere of the island. Robin describes the terrifying apparitions and the stories behind them.
    venice Lido 006.jpg
  • VENICE, ITALY - AUGUST 27: Piexes  of rusty machinery are seen in the laundry area of the abandoned Hospital of Poveglia on August 27, 2011 in Venice, Italy. The island of Poveglia, with its ruined hospital and plague burial grounds, is said to be the most haunted location in the world. Though it is a multi-million dollar piece of real estate it lies deserted and off limits to the public. Its dark, forbidding shores are only minutes away from the glamour of the Venice Film Festival on the Lido.  ...To discuss licensing our 4000 word photo documentary of the island, email robin@robinsaikia.com. ..British author Robin Saikia visited the site with Italian photographer Marco Secchi. Marco captured the sinister atmosphere of the island. Robin describes the terrifying apparitions and the stories behind them..
    venice Lido 007.jpg
  • Venice Wood carver  prepares a wooden mould to be used by a glass blower. The use of a wooden mould is a very primitive technique to create glass objects and has to be performed by the skilled hands of real artisans, resulting in a high-quality and well-made vase...HOW TO BUY THIS PICTURE: please contact us via e-mail at sales@xianpix.com or call our offices in Milan at (+39) 02 400 47313 or London   +44 (0)207 1939846 for prices and terms of copyright..
    3DS_0092.jpg
  • Venice Wood carver  prepares a wooden mould to be used by a glass blower. The use of a wooden mould is a very primitive technique to create glass objects and has to be performed by the skilled hands of real artisans, resulting in a high-quality and well-made vase...HOW TO BUY THIS PICTURE: please contact us via e-mail at sales@xianpix.com or call our offices in Milan at (+39) 02 400 47313 or London   +44 (0)207 1939846 for prices and terms of copyright..
    3DS_0161.jpg
  • Venice Wood carver  prepares a wooden mould to be used by a glass blower. The use of a wooden mould is a very primitive technique to create glass objects and has to be performed by the skilled hands of real artisans, resulting in a high-quality and well-made vase...HOW TO BUY THIS PICTURE: please contact us via e-mail at sales@xianpix.com or call our offices in Milan at (+39) 02 400 47313 or London   +44 (0)207 1939846 for prices and terms of copyright..
    3DS_0225.jpg
  • Venice Wood carver  prepares a wooden mould to be used by a glass blower. The use of a wooden mould is a very primitive technique to create glass objects and has to be performed by the skilled hands of real artisans, resulting in a high-quality and well-made vase...HOW TO BUY THIS PICTURE: please contact us via e-mail at sales@xianpix.com or call our offices in Milan at (+39) 02 400 47313 or London   +44 (0)207 1939846 for prices and terms of copyright..
    3DS_0239.jpg
  • Venice Wood carver  prepares a wooden mould to be used by a glass blower. The use of a wooden mould is a very primitive technique to create glass objects and has to be performed by the skilled hands of real artisans, resulting in a high-quality and well-made vase...HOW TO BUY THIS PICTURE: please contact us via e-mail at sales@xianpix.com or call our offices in Milan at (+39) 02 400 47313 or London   +44 (0)207 1939846 for prices and terms of copyright..
    3DS_0303.jpg
  • Venice Wood carver  prepares a wooden mould to be used by a glass blower. The use of a wooden mould is a very primitive technique to create glass objects and has to be performed by the skilled hands of real artisans, resulting in a high-quality and well-made vase...HOW TO BUY THIS PICTURE: please contact us via e-mail at sales@xianpix.com or call our offices in Milan at (+39) 02 400 47313 or London   +44 (0)207 1939846 for prices and terms of copyright..
    3DS_0317.jpg
  • Venice Wood carver  prepares a wooden mould to be used by a glass blower. The use of a wooden mould is a very primitive technique to create glass objects and has to be performed by the skilled hands of real artisans, resulting in a high-quality and well-made vase...HOW TO BUY THIS PICTURE: please contact us via e-mail at sales@xianpix.com or call our offices in Milan at (+39) 02 400 47313 or London   +44 (0)207 1939846 for prices and terms of copyright..
    3DS_0344.jpg
  • London, England January 19th  A visitor stand in front of the Self Portrait by Van Gogh  at the Royal Academy of Art in London on January 19th 2010.  The real Van Goh the artist and his letters opens at The Royal Academy of Arts in London...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 771 7298571. e-mail ms@msecchi.com .www.marcosecchi.com
    _DSC8656.jpg
  • London, England January 19th  A visitor stand in front of the Self Portrait by Van Gogh  at the Royal Academy of Art in London on January 19th 2010.  The real Van Goh the artist and his letters opens at The Royal Academy of Arts in London...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 771 7298571. e-mail ms@msecchi.com .www.marcosecchi.com
    3DS_5603.jpg
  • London, England January 19th     at the Royal Academy of Art in London on January 19th 2010.  The real Van Goh the artist and his letters opens at The Royal Academy of Arts in London...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 771 7298571. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-VanGogh-04.jpg
  • London, England January 19th  A visitor stand in front of the Self Portrait by Van Gogh  at the Royal Academy of Art in London on January 19th 2010.  The real Van Goh the artist and his letters opens at The Royal Academy of Arts in London...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 771 7298571. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-VanGogh-01.jpg
  • LONDON, ENGLAND - OCTOBER 16:  A National Gallery employee walks in front of  Saint Francis by  Francisco de Zurbaran at 'The Sacred Made Real Exhibition' at the National Gallery  on October 16, 2009 in London, England. The Exhibition running from October 21 to January 24, 2010 includes masterpieces by Velasquez and Francisco de Zurbaran which are displayed for the very first time alongside Spain's polyccrome painted sculptures   ...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 771 7298571. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-National Portrait09.jpg
  • LONDON, ENGLAND - OCTOBER 16:  Final preparations  in front of Virgin of the Misericordia by Francisco de Zurbaran  before the opening of 'The Sacred Made Real Exhibition' at the National Gallery  on October 16, 2009 in London, England. The Exhibition running from October 21 to January 24, 2010 includes masterpieces by Velasquez and Francisco de Zurbaran which are displayed for the very first time alongside Spain's polyccrome painted sculptures...***Agreed Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 771 7298571. e-mail ms@msecchi.com .www.marcosecchi.com
    MSI-National Portrait08.jpg
  • LONDON, Feb 19 - Land Securities (LAND.L), Britain's largest real estate company, joined the scramble for capital among debt-starved property investors with a 756 million pounds rights issue on Thursday.The company, a major landlord to the British government own primes area including large part of Piccadilly and the Piccadilly's Lights...***Standard Licence  Fee's Apply To All Image Use***.Marco Secchi /Xianpix. tel +44 (0) 845 050 6211. e-mail ms@msecchi.com or sales@xianpix.com.www.marcosecchi.com
    MSI-LandSec02.jpg
  • London November 27 Japanese cars and culture travel to the Science Museum in London. Two exceptional and rarelyt seen models  the Toyota i_Real and the NixanPIV02  are presented. The exhibition also host  a Bonsai area to show the spirit of Japan....Please telephone : +44 (0)845 0506211 for usage fees .***Licence Fee's Apply To All Image Use***.IMMEDIATE CONFIRMATION OF USAGE REQUIRED.*Unbylined uses will incur an additional discretionary fee!*.XianPix Pictures  Agency  tel +44 (0) 845 050 6211 e-mail sales@xianpix.com www.xianpix.com
    MSI-Japan Cars-0019.jpg
  • London November 27 Japanese cars and culture travel to the Science Museum in London. Two exceptional and rarelyt seen models  the Toyota i_Real and the NixanPIV02  are presented. The exhibition also host  a Bonsai area to show the spirit of Japan....Please telephone : +44 (0)845 0506211 for usage fees .***Licence Fee's Apply To All Image Use***.IMMEDIATE CONFIRMATION OF USAGE REQUIRED.*Unbylined uses will incur an additional discretionary fee!*.XianPix Pictures  Agency  tel +44 (0) 845 050 6211 e-mail sales@xianpix.com www.xianpix.com
    MSI-Japan Cars-0017.jpg
  • LONDON, July 28th  Louise Cliffe at Premiere of real life british drama CASS in Leiscester Square
    B487-Cass07.jpg
  • LONDON, July 28th  Frank Bruno at Premiere of real life british drama CASS in Leiscester Square
    B487-Cass05.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta020.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta018.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta017.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta016.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta014.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta013.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta012.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta009.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta007.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta006.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta005.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta003.jpg
  • CHURCH OF SANTA MARIA DELLA PIETÀ O DELLA VISITAZIONE (XVIII sec.)..Santa Maria AssuntaFirst fondation was of the fifteenth century but its actual aspect is due to architect Massari who completely rebuilt it in the 1745..The facade has a classical style, with a bas-relief above the main entrance representing the La Carità, a work by the sculptor Marsili (1800)..Church has a egg-shaped plan with a vaulted ceiling; sideways there're two choirs where once were played concerts by the woman whom used to live in the institute that stands from the side..Church has an absolute importance becouse of the presence of Gian Battista Tiepolo's works, the Fortezza e la Pace on the ceiling of the entry and the Trionfo delle Fede painted on the ceiling of the church, a real masterpiece by Tiepolo representing the crowning of Our Lady by the God's hand. i ....© MARCO SECCHI
    Pieta001.jpg
  • VENICE, ITALY - JANUARY 20:  Choreographer Raffaele Dessi of the historic atelier Pietro Longi examines an Henry VIII reproduction costume made with real gold thread on January 20, 2012 in Venice, Italy. This is one of the busiest periods of the year for the atelier as the next few weeks the streets and canals of Venice will be filled with people attending the carnival,  wearing highly-decorative and imaginative carnival costumes and masks.
    Pietro Longhi-014.jpg
  • VENICE, ITALY - DECEMBER 26:  A real Venetian couple with their one month old son perform a live nativity scene, after being ferried in gondolas from St Mark's to the Island of S Giorgio on December 26, 2011 in Venice, Italy.  The event is in its first year wants and to replicate an ancient tradition when the Doge of Venice used to go to the Island of S Giorgio to celebrate the relics of Santo Stefano on Boxing Day. HOW TO LICENCE THIS PICTURE: please contact us via e-mail at sales@xianpix.com or call our office London   +44 (0)207 1939846 for prices and terms of copyright. First Use Only ,Editorial Use Only, All repros payable, No Archiving.© MARCO SECCHI
    Nativity St Mark's Basin 013.jpg
  • VENICE, ITALY - DECEMBER 26:  A real Venetian couple with their one month old son perform a live nativity scene, after being ferried in gondolas from St Mark's to the Island of S Giorgio on December 26, 2011 in Venice, Italy.  The event is in its first year wants and to replicate an ancient tradition when the Doge of Venice used to go to the Island of S Giorgio to celebrate the relics of Santo Stefano on Boxing Day. HOW TO LICENCE THIS PICTURE: please contact us via e-mail at sales@xianpix.com or call our office London   +44 (0)207 1939846 for prices and terms of copyright. First Use Only ,Editorial Use Only, All repros payable, No Archiving.© MARCO SECCHI
    Nativity St Mark's Basin 012.jpg
  • VENICE -MESTRE  22nd December 2011 Organised by Caracol and Centro Sociale Rivolta and offered and prepared by Restaurant La Ragnatela a Christmas lunch for homeless people
    Christmas lunch homeless 010.jpg
  • VENICE -MESTRE  22nd December 2011 Organised by Caracol and Centro Sociale Rivolta and offered and prepared by Restaurant La Ragnatela a Christmas lunch for homeless people
    Christmas lunch homeless 009.jpg
  • VENICE -MESTRE  22nd December 2011 Organised by Caracol and Centro Sociale Rivolta and offered and prepared by Restaurant La Ragnatela a Christmas lunch for homeless people
    Christmas lunch homeless 007.jpg
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